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Jerry Caves. Case NO: CM Twitter really took over as a go-to [platform,] and so did Instagram. We still use Facebook, but we use it less. Its usage has dropped [quite] precipitously over the last five years. At the beginning, I was very closed off. When I first got hired at WFAN, the transition was so crazy, and I thought it would probably be best if I was not checking my mentions all the time.

Christian Arcand Host, I used to be a lot more open with things before I was on the air. I think a lot of people come across that as they move up in the business — [I] never felt [it] to the point where I felt I had to delete a bunch of tweets. It hurts some [hosts] because people are very apt to be wildly unfiltered on Twitter and sometimes will go for a joke or a hot take.

Obviously, you have to hesitate on engaging in mean-spirited conversation, or when someone just wants to fight and argue. You have to put out there what is smart to put out there. We have seen so many people get in trouble with other stuff. You have to remember that your negative interactions are [usually] outweighed by positive or neutral ones, so I think, overall, giving listeners access, being able to publish your stuff and have more people consume it, and having people be able to see you in multiple lights is really important.

How does social media play a role in talent evaluation? Namely, does what people say or like in the past have an impact on their candidacy in a job search? You either get on that train or move aside. I try to be as clear as I can, especially if I am tweeting jokes or trying to be funny. You have to make sure things are coming across in the way you mean it so it does not get misconstrued.

As far as hiring practices, a program director or a manager would be better suited to answer that question. I noticed when I got hired at WFAN, people [online] had gone back through my social media and searched my entire feed.

Nothing was bad or offensive — I would never do anything like that. The social media world went ahead and did the work to try to find something. How have the recent negative headlines about Facebook made you rethink your use of that platform and social media as a whole? You have to remind yourself that Twitter and Instagram are not representative of real-life human-to-human interactions.

I love it more for the interaction between listeners and hosts. The way that I use Twitter and Instagram is not just to promote the show on a daily basis; I use it to start conversations that are interesting to me. I like when conversations are heated about silly things. I took a long and hard look at Instagram before I got on there.

I did the same thing when I was originally on Snapchat; ultimately, I bailed on Snapchat because I did not think it was a benefit. In , you kind of had to be there. The headlines on Facebook did not change my view of it.

You have to view and watch it on a regular basis. You should kind of be locked in on those realities every day you use these things. I was in college when Facebook came out, and it was really great. You could reconnect with all your old friends; you just type in a name and you find somebody from your past. I think, all and all, there should be some changes. I do think they ought to. I love to use it as a complimentary piece because I find it to be fun and a good way to grow the audience.

We are expressing ideas. We are communicating through a microphone — ideas, opinions, etc. Social media [are] simply that. These are modes of communication. They are intertwined forever. Broadcasting and opinion-making is social media. I think that people will ultimately get more sophisticated and more savvy and more smart in how they use it.

In some ways, it is a relatively new thing people are dealing with. It is much different than when I was first getting out of college and into broadcasting and there were so few ways to get in front of people.

Social media has totally obliterated that barrier. Maybe it shows that we need even [fewer] traditional mediums because you can get your stuff out through Twitter and Instagram, and amass a big following without going the traditional route in media.

Our show is broadcast on Twitch… [and] we share clips on social media all the time. Radio is a platform, and you are always looking to add to it. Eventually, TV, radio and social media [are] all just going to be one big thing. Derek Futterman is a features reporter for Barrett Sports Media. He has also worked on New York Islanders radio broadcasts. To get in touch, find him on Twitter DerekFutterman. Where is the baseball talk? October is inarguably the best time of the year to be a sports fan.

Not bad for a sports talk radio host either. Depending on the city you broadcast from and the passions of your listening audience, the options are plentiful. Even more so if you are lucky enough to be part of a nationally syndicated show.

In that case, radio or TV, your options are limitless and your content is plentiful. With that being the case, I have a very simple question. It was heaven for a baseball-loving kid. National sports shows have followed suit. With the MLB postseason now underway, it sticks out like a sore thumb. According to Statista. With 3 hours to fill, 2 games from the day before to talk about, and four more scheduled that day, all that was mentioned was a footnote on the Yankees.

Is John Smoltz not available? Go to the First Take, Undisputed, or Get Up YouTube channels where producers archive some of the best segments of the day from those three shows. It is amazing to me. MLB has done a poor job over the years marketing their sport to the masses.

MLB has largely become regionalized, popular in the cities that possess it and forgotten about everywhere else. The blame rests squarely on their shoulders for that. You already know the answer to that. There are hosts and shows around the country that still talk baseball. Dan Patrick and PTI come to mind, but its becoming fewer and farther between. I get avoiding the MLB regular season grind, but come playoff time, you would think this would be low-hanging fruit for these shows.

You can follow him on Twitter BrandonKravitz or reach him by email at Kravitz thegame. What streaming platforms deals are available? With so many streaming options, the consumer is often left to wonder which streaming service s to subscribe to.

At one point, Netflix was the only streaming game in town, as both the first-mover and essentially a monopoly for ten years before the next streamer came along to challenge the Los Gatos and Hollywood-based company. Amazon now owns MGM: the studio and its large library of content. Netflix continues its push into original content versus licensed content. That way it can avoid losing popular movies and TV shows as more studios launch their own services.

Owned content is a long-term play toward streaming freedom, getting away from having to pay significant licensing fees only to lose the content once the agreement expires and the next streamer comes along willing to pay more than the previous licensee. Owned content also means copyrighted derivative content. Streamers continue to push the boundaries when it comes to what content is streamed.

The Squid Game is the most popular on Netflix in the United States as of September and number two internationally. That was unthinkable under a traditional broadcast television model as most American shows and series were very popular here and overseas.

Now overseas shows and series are very popular in places like Korea, Kuwait, Vietnam, and Singapore, and in the United States. The shift is a paradigm in content creation and distribution. Content is now singularly focused on the individual versus an audience. Content creators are looking to connect with every individual to reach more people and sell more content subscriptions through streaming platforms.